New LTX-2 Inpaint Node Revolutionizes Video Editing with Auto-Crop and Stitch Technology
A breakthrough in AI-powered video inpainting has emerged as a developer unveils a custom crop and stitch node for LTX-2, significantly reducing jitter and improving consistency in dynamic scenes. The tool enables precise head swaps and speech alterations while preserving lighting and motion integrity.

New LTX-2 Inpaint Node Revolutionizes Video Editing with Auto-Crop and Stitch Technology
A groundbreaking development in the field of AI-driven video editing has been unveiled by a community developer under the username jordek, who introduced a novel custom crop and stitch node for the LTX-2 inpainting model. Designed to overcome persistent issues of jitter and misalignment in video inpainting workflows, the tool automates bounding box detection and seamlessly stitches generated content back into original footage—marking a significant leap forward for creators working with dynamic, high-motion video scenes.
The innovation, detailed in a post on the r/StableDiffusion subreddit, stems from frustration with existing crop-and-stitch nodes that often failed to maintain spatial consistency across frames. According to the developer, traditional methods required manual frame-by-frame adjustments, leading to unnatural flickering and visual artifacts—particularly problematic in applications such as head swaps or speech replacement. The new node, hosted on GitHub under the repository pcvideomask, automatically detects and tracks the region of interest using motion and edge analysis, eliminating the need for manual mask creation in most scenarios.
In a demonstration video, jordek applied the node to a Pexels-sourced clip of a young woman dancing with a glowing light tube. The original 1080x1080 cropped region was processed through LTX-2 to replace the subject’s head and alter spoken dialogue—demonstrating the system’s capacity for temporal coherence. Notably, LTX-2 preserved the video’s dynamic lighting conditions, a feature often lost in competing models that flatten or desaturate ambient illumination during inpainting. The result was a fluid, natural-looking transformation where the altered head moved in sync with the body, and the modified speech synced with lip movements without visible seams.
While the workflow shared via Pastebin (ltx2_LoL_Inpaint_02a.json) is not optimized for production use—relying on a pre-generated mask rather than fully automated detection—it serves as a functional proof-of-concept. The inclusion of the new crop and stitch nodes makes it a valuable reference for developers and artists seeking to replicate the results. Community feedback has been overwhelmingly positive, with users praising the reduction in post-processing time and the increased realism of outputs.
This development comes at a critical juncture for AI video tools, as demand grows for ethical, high-fidelity editing capabilities in content creation, virtual production, and deepfake mitigation. Unlike many proprietary solutions, this tool is open-source, allowing for community-driven improvements and transparency in algorithmic decision-making. The developer acknowledges the system is "far from perfect," citing challenges with fast motion and occlusions, but emphasizes its superiority over existing alternatives in stability and lighting preservation.
Industry analysts suggest this innovation could accelerate the adoption of LTX-2 in professional workflows, particularly in indie filmmaking and social media content production, where budget constraints often limit access to high-end editing suites. As AI models become more adept at understanding temporal dynamics, tools like this bridge the gap between experimental AI and practical application.
For developers and artists, the release represents more than a technical upgrade—it signals a shift toward intelligent, context-aware editing systems that prioritize visual continuity over brute-force pixel manipulation. As open-source contributions like this proliferate, the future of AI video editing may well be defined not by corporate platforms, but by the ingenuity of its grassroots community.


